June Issue, 2024
CREDITS
Editor-in-Chief and Layout Designer: Wu Yuxin Stella
Editors: Wang Ding Ocean, Fan Yuqian, Li Chuqi Catherine, Chen Shuqi Mickey, Li Tong Jessy, Zou Ming Zoey, Hai Fengrou
A LETTER FROM THE EDITORIAL EDITORIAL TEAM
Egon Schiele, Moa, 1911. Pencil, watercolor and opaque color on paper, 315 x 478 cm. Leopold Museum, Vienna.
EXHIBITION REVIEW
Gina Birch, 3 Minute Scream, 1977. Shown as digital video; color, sound. 2 min, 50 sec. Photo by Youxi Chen.
RESEARCH ARTICLES
Andy Warhol, Time Capsule 262, 1974–1987. Mixed media, dimensions variable. The Andy Warhol Museum, Pittsburgh, PA. Image courtesy of the Art Law Foundation.
Estimation and Iteration:
An Examination of Archival Narratives in Time Capsules (1974) and Today Series (1966)
Tam So Yin Dilys
Tseng Kwong Chi, New York, New York, 1979, printed 2016. Silver gelatin selenium toned, 51 x 40.8 cm (print), 38.2 x 38.1 cm (image). M+, Hong Kong.
Beyond the Marginalized Asian Other:
From Tseng Kwong Chi’s New York, New York (1979)
Li Chuqi Catherine
Mako Idemitsu, Hideo, it’s me Mama!, 1983. Single-channel digital video (colour, sound), 26:49. M+, Hong Kong. © Mako Idemitsu/EAI.
Hideo, it’s me Mama! (1983) by Mako Idemitsu:
A Chronicle of a Chronic Outcome of the Housewife
Kwok Yan Yi Emily
Marina Abramović, The Conditioning, November 12, 2005. In Seven Easy Pieces, November 9–15, 2005. Performance, 7 hours. The Solomon R. Guggenheim Museum, New York.
Duration and Affect:
A Study of Vulnerability and Tenacity in Seven Easy Pieces (2005) and Almerisa Series (1994–2008)
Tam So Yin Dilys
COMMENTARY
Alan Chan, Leap the Stage (飛越舞台), 1984. Album cover, offset lithography, 31.5 x 63.4 x 0.3 cm. M+, Hong Kong. © Capital Artists Ltd.
Ever-Changing and the Daughter of Hong Kong:
A Look Back at the Identity of Anita Mui through Cover Album Art
Max Chan